Stoltz spends nearly three-quarters of the pic off camera while his character is asleep below deck, recovering from his injuries. Wilson (“Bottle Rocket”) and Wuhrer do as well as they can as supporting players who exist only to become snake food. Hyde has a couple of funny scenes as the doomed Westridge, the sort of fatuous twit who practices his golf swing on the deck of a river barge. “Instead, it’s turned into a disaster.” Amen, sister. “I thought this movie would be my first big break,” she says. Top-billed Lopez filmed this folly before “Selena.” So there is an amusing undercurrent to the scene in which her character, a first-time filmmaker, bitterly surveys her situation. And you get the privilege of hearing your bones break before the power of their embrace causes your veins to explode.” To their credit, the other actors in the scene listen to all of this with perfectly straight faces.įor all of his considerable excess, Voight is a lot more fun, and much more convincing, than the Animatronic anaconda, which comes off looking like a cartoonish bit player from “Who Framed Roger Rabbit.” … It strikes, wraps around you, holds you tighter than your true love. He has a near-classic moment of high-camp grandiloquence in a scene in which Sarone gleefully describes the anaconda as “the perfect killing machine. Sporting a scarred face, an arrogant leer and a tricky accent that’s meant to identify him as a Paraguayan, Voight gives a performance that could be labeled Swift’s Premium and sold by the pound. He plans to take the creature back alive the anaconda, of course, has other ideas. When Cale is incapacitated after an encounter with a tropical insect, Sarone takes the opportunity to commandeer the crew’s river barge to hunt for a legendary anaconda that is just slightly smaller than the Alaskan Pipeline. Not surprisingly - remember, pic is named “Anaconda,” not “Shirishama” - Sarone turns out to be a ruthless snake hunter who has more than a little in common with his prey. Before long, however, it’s clear Sarone has a very different agenda in mind. Sarone claims to know the whereabouts of the Shirishama tribe, and offers to guide his rescuers there. Early on, the documentarians bring aboard an unexpected guest: Paul Sarone (Voight), an aggressively charismatic but enigmatically evasive fellow who’s rescued from a sinking boat.
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